01 — The idea
The idea is a cut, not a picture of a saw. One shaped counter, one flat notch.
Client
A hardwood joinery
Construction
A very heavy slab O whose counter is shaped as a bandsaw curve, with a single flat tooth-notch interrupting the outer left edge.
03 — On light
Ink on Mill Paper
03 — On dark
Pale Sage on Ink
05 — Clear space
Clear space equals the letter's stroke width on all four sides.
Minimum 10 mm wide. It reduces further than anything else in the set.
06 — Scale
Favicon: the O as drawn. Below 12 mm the wordmark is dropped and the symbol stands alone.
08 — Typography
Archivo Black · display
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789
Work Sans · text
Body copy is set at 16–18 px on screen and 9.5–10.5 pt in print, sentence case, with a maximum measure of 66 characters. Never letter-space lowercase body text.
IBM Plex Mono · labels
Labels · captions · specification lines
09 — Do and do not
✓Keep the letterform heavy enough to contrast the counter
✓Hold the notch as one clean flat cut
✓Relieve the plate behind the solid
✕Never repeat the notch into a serration
✕Never lighten the weight
✕Never letterpress this flat at full depth

A studio identity exercise. Mark, palette, type system and usage rules by the Print Peppermint design team.
Every identity we build ships with the file the press needs: vector mark, one-colour version, favicon set, Pantone Uncoated references and a guide like this one.
Start a brand project →A studio exercise. Kerf, and every brand in this series, is invented — no client commissioned it and none of it was ever sold.