01 — The idea
The hook is gone. The sweeping stroke rises in its curve and rounds off to a clean terminal.
Client
A private wine cellar
Construction
An L and T interlocked through a shared crossbar in one even monoline weight, over a single continuous sweep.
03 — On light
Navy on Gold
03 — On dark
Brass on Navy
05 — Clear space
Clear space equals the crossbar's length, halved, on all four sides.
Minimum stroke 0.5 mm, holding on a neck label at 20 mm.
06 — Scale
Favicon: the interlocked crossbar. Below 12 mm the wordmark is dropped and the symbol stands alone.
08 — Typography
Bodoni Moda · display
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789
EB Garamond · text
Body copy is set at 16–18 px on screen and 9.5–10.5 pt in print, sentence case, with a maximum measure of 66 characters. Never letter-space lowercase body text.
IBM Plex Mono · labels
Labels · captions · specification lines
09 — Do and do not
✓Resolve every terminal the same rounded way
✓Foil with a sculpted die
✓Drop to the simplified lockup below the stroke floor
✕Never add a flick or hook to any terminal
✕Never scale below 0.5 mm stroke
✕Never foil a script monogram with a flat die

A studio identity exercise. Mark, palette, type system and usage rules by the Print Peppermint design team.
Every identity we build ships with the file the press needs: vector mark, one-colour version, favicon set, Pantone Uncoated references and a guide like this one.
Start a brand project →A studio exercise. Lockhart & Thorne, and every brand in this series, is invented — no client commissioned it and none of it was ever sold.