Design exercise · Wedding invitations · Peppermint
Seventeen wedding directions, none of them ivory
A wedding exercise built from seventeen reference directions, each rebuilt four or five times with a shifted palette and a different production route, from blind-letterpress arches to acrylic, cork and holographic foil.

FoilsYellow Gold · 101, Deep Copper · 115-2, Rose Gold · 117-3, Silver · 120, Rainbow Iridescent · R1TechniquesDeboss, Die Cut, Gilded Edge, Painted Edge, Emboss, Hot Foil, Copper Foil, Gold Foil, Holographic Foil, Rose Gold Foil, Silver Foil, Folded, LetterpressStocksHyacinth Cotton · 32pt, Handmade cotton rag, deckled, Clear acrylic, Natural cork sheet, Translucent vellum
The idea
Wedding stationery is the most conservative category we print, and the most profitable place to be different.
Three rules
- 01Kill the ivory default. Every direction had to declare a period or a posture: Swiss modernism, 1960s seaside, folk-art layers, art deco, psychedelia, backstage pas…
- 02Type sets the era, finish sets the price. Typography carries the era, from Didone numerals to wobbly retro serifs to ultra-condensed caps. The finish carries the tier: blind letterp…
- 03One rock-and-roll suite, fully committed. A five-piece suite on matte black PVC and fluorescent chartreuse: the invitation is a laminated ALL ACCESS pass on a woven lanyard, the RSV…
The exercise
Seventeen directions, four or five builds each, every one required to shift palette and production route from its reference. The only rule was that ivory-and-gold had to earn its place rather than be the starting point.





Start from these materials
Same paper, foil and finish, locked in — nothing of this piece artwork comes with it.
Designed by Austin Terrill, founder.



