This is right if
You have a working logo and need it laid onto a card, engineered for a specific stock and finish.
Artwork for a specific piece
Business card artwork is the two-sided layout of your card at its actual trim, stock and finish, with every small detail set to survive the press and the finish separated on its own layer.
Guide price. Every project is quoted — tell us what it is for and we come back with a number. Most card artwork lands between 295 $ and 700 $. Half of every design fee is credited against your first print order over 600 $.




O'Rourke · one ink, one card
From a real project · Alvarez Stone
A raster has no line weight to hold to. Traced and rebuilt, every stroke has a measurable thickness we can lift to the foil floor, and foil, letterpress and blind emboss all become possible in the same pass.
Read the Alvarez Stone case study →
How it runs
Bring your mark and copy; choose the card size, stock and finish before we set type.
The composition at actual trim on its intended stock, with the finish visible.
One chosen direction is refined against your feedback and the limits of the selected process.
Outlined vector masters, process separations and a spec sheet naming what the press needs to hold.
The handoff


Is this the right service?
You have a working logo and need it laid onto a card, engineered for a specific stock and finish.
Fix the mark first rather than paying for a card layout around a broken file.
Press-Ready Redraw · from 245 $ →
Card, letterhead and envelope designed as one family.
Stationery Suite Artwork · from 650 $ →
Production standards

A US 3.5 × 2 inch card and an 85 × 55 mm card need separate artwork; never scale one casually into the other.
Business card sizes →
Set the safe area to the actual trim and corner radius, then move small type clear of the cut.
Die-cut shapes →3 mm bleed on every edge, with all critical content held 3 mm inside the trim. Foil and emboss sit a further 2 mm in, because registration moves under pressure.
Yes. The foil sits on its own layer at 100% of a single spot, with a minimum line weight of 0.5 pt. We separate it and name the tolerance on the spec sheet.
Tell us what is not working. One chosen direction is refined against your feedback; a new brief is a new scope and we discuss that first.
Yes. The approved artwork and its production files are yours. Fonts licensed from others remain subject to their licence.
Send the best original file you have and your colour references. We keep what survives the actual stock and process, then show any unavoidable change before approval.
Updated September 2026

Invitation, reply, details and envelope considered together so the whole suite arrives as one clear gesture.

Art laid against the real container and die, accounting for wrap, seams, bleed and the stock beneath the ink.

A box designed across its actual panels, folds and board, not a flat graphic placed over a generic mockup.