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    Colorplan

    50-plus shades, dyed all the way through the sheet. Cut it, deboss it, die-cut a hole in it , the edge is the same colour as the face. The reason almost every dark card we print is Colorplan.

    Colorplan Adriatic swatchColorplan Amethyst swatchColorplan Azure Blue swatchColorplan Bark (formerly Bagdad Brown) swatchColorplan Bitter Chocolate swatchColorplan Bright Red swatchColorplan Bright White swatch
    Mill
    GF Smith
    Colours
    60
    Weights
    350 / 135 / 270 gsm
    Surface
    smooth, rough

    The story

    50-plus shades, dyed all the way through the sheet. Cut it, deboss it, die-cut a hole in it , the edge is the same colour as the face. The reason almost every dark card we print is Colorplan.

    Where it shines

    • Stationery and identity projects
    • Choose a weight that suits your piece

    How we print it

    • foil
    • blind deboss
    • emboss
    • spot uv
    • screen print
    • edge paint
    • edge foil
    • letterpress
    • digital flat

    Worth knowing

    • GF Smith Colorplan Adriatic: smooth uncoated European stock, dyed through to the core.
    • Foil sits like jewellery on this shade: keep coverage restrained.
    • GF Smith Colorplan Amethyst: smooth uncoated European stock, dyed through to the core.

    The range

    60 shades

    Embossed surfaces

    These patterns are rolled into the sheet at the mill, before anything is printed — so any Colorplan shade can be ordered with any of them. Hover a tile to see the same sheet under raking light, where the relief reads. Coarse patterns break up hairline foil and fight letterpress; we will say so on your quote.

    GF Smith Brocade embossing — A dense woven swirl, close to a fine damask cloth. Reads as texture at arm's length, as pattern in the hand.

    Brocade

    fine pattern

    GF Smith Buckram embossing — The stiff bookbinding cloth weave — a tight, even crosshatch.

    Buckram

    medium pattern

    GF Smith Colonnade embossing — Fine parallel fluting, like a column. Strongly linear.

    Colonnade

    medium pattern · directional

    GF Smith Coltskin embossing — A fine hide grain — irregular, matte, animal rather than mechanical.

    Coltskin

    medium pattern

    GF Smith Cord embossing — Tight ribbed lines running one way, like corduroy.

    Cord

    coarse pattern · directional

    GF Smith Damask embossing — A formal figured pattern, the classic table-linen motif.

    Damask

    fine pattern

    GF Smith Dapple embossing — Soft irregular mottling, like light through leaves.

    Dapple

    fine pattern

    GF Smith Fabric embossing — A plain cloth weave — the most neutral of the textile patterns.

    Fabric

    medium pattern

    GF Smith Fine Linen (one sided) embossing — The familiar linen weave, rolled finer than standard Linen. Supplied one-sided: the reverse stays smooth, which is where fine type should go.

    Fine Linen (one sided)

    fine pattern · one sided

    GF Smith Granular embossing — An even sand-fine grain across the whole sheet.

    Granular

    fine pattern

    GF Smith Gravure embossing — A very fine engraved-plate tooth, almost smooth to the eye.

    Gravure

    fine pattern

    GF Smith Laid embossing — Traditional laid lines — close parallel chain lines, the historic writing-paper surface.

    Laid

    fine pattern · directional

    GF Smith Leather embossing — A deep hide grain — the coarsest of the skin patterns.

    Leather

    coarse pattern

    GF Smith Linen embossing — The standard linen weave, deeper and more visible than Fine Linen.

    Linen

    medium pattern

    GF Smith Matrix embossing — A regular geometric grid — mechanical where the cloth patterns are organic.

    Matrix

    medium pattern

    GF Smith Morocco embossing — The classic bookbinding goatskin grain, pebbled and irregular.

    Morocco

    coarse pattern

    GF Smith Pebble embossing — Rounded stone-like mottling, larger than Dapple.

    Pebble

    coarse pattern

    GF Smith Plain embossing — No pattern — the reference smooth surface, shot so the range can be compared honestly.

    Plain

    fine pattern

    GF Smith Ridged embossing — Bold parallel ridges, the most architectural pattern in the range.

    Ridged

    coarse pattern · directional

    GF Smith Ripple embossing — Soft undulating waves, water rather than cloth.

    Ripple

    medium pattern

    GF Smith Sandgrain embossing — A dry, even sand tooth — slightly coarser than Granular.

    Sandgrain

    medium pattern

    GF Smith Silkweave embossing — A fine silk-cloth weave — tighter and glossier in the light than Fabric.

    Silkweave

    fine pattern

    GF Smith Smooth embossing — The mill's flat calendered surface. Not an absence of pattern so much as a deliberate one — the benchmark the rest of the range is judged against.

    Smooth

    fine pattern

    GF Smith Stipple embossing — A dense field of fine dots, like a stippled drawing. Even, mechanical, quiet.

    Stipple

    fine pattern

    GF Smith Stucco embossing — A troweled plaster wall — irregular, matte, architectural.

    Stucco

    coarse pattern

    GF Smith Wire embossing — The mill wire mark — fine parallel screen lines pressed into the wet sheet.

    Wire

    fine pattern · directional

    Feel it first

    A screen cannot tell you how a sheet feels. Compare the weight, surface and colour in hand.

    Common questions

    What is Colorplan best suited to?
    Choose the shade and weight for your piece. Ask for a sample to judge the sheet in hand.
    How do you print on Colorplan?
    Foil stamping, Blind deboss, emboss, spot uv, Screen printing, edge paint, edge foil, letterpress, Digital and offset
    What should I know before choosing Colorplan?
    Paper colour and surface change with the light. Feel a sample first, and confirm the weight and finish before ordering.

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