This is right if
The invitation, reply card, details and envelope must arrive as one composition, and you want the monogram drawn for the process.
Artwork for a specific piece
Wedding suite artwork designs the invitation, reply card, details card and envelope together, so sizes, typography and finishes are resolved as one composition before anything prints.
Guide price. Every project is quoted — tell us what it is for and we come back with a number. Half of every design fee is credited against your first print order over 600 $US.




Dina & Austin invitation with blind embossed botanical frame, studio concept
How it runs
Share the wording, the date and the feeling you want. We choose trims against the envelope before any type is set.
The suite laid out at actual size on the chosen cotton or specialty stock.
One chosen direction is refined against your feedback and the limits of the selected process.
Outlined vector masters, process separations and a spec sheet naming what the press needs to hold.
The handoff


Is this the right service?
The invitation, reply card, details and envelope must arrive as one composition, and you want the monogram drawn for the process.
You may only need a print quote. We check the file for free.
Business Card Artwork · from 295 $US →
We can start with a mark and palette for the whole day.
Identity for Print · from 3 200 $US →
Production standards

Choose the invitation and reply-card trims against the envelope before any type is set.
Invitation sizes →
Allow for paper thickness at the wrap and keep type off folds and glued seams.
Envelope sizes →Allow for design, proofing and production before the invitations need to be posted. Tell us the send date and we plan backwards from it.
Yes. A monogram is drawn for the process it will print in, so the strokes hold in foil or letterpress at invitation size.
Yes. The approved artwork and its production files are yours. Fonts licensed from others remain subject to their licence.
Updated September 2026

A card, letterhead and envelope with one consistent mark, thoughtful spacing and separations that make production simple.

Art laid against the real container and die, accounting for wrap, seams, bleed and the stock beneath the ink.

A box designed across its actual panels, folds and board, not a flat graphic placed over a generic mockup.