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    Acquerello

    Acquerello takes its name from watercolour paper, and you can feel why the moment it is in hand.

    Acquerello Avorio swatchAcquerello Bianco swatch
    Mill
    Fedrigoni
    Colours
    2
    Weights
    100 / 120 / 160 / 200 / 240 / 280 / 300 / 350 / 390 gsm
    Surface
    uncoated, felt-marked on both sides (watercolour-style felt texture)

    The story

    Acquerello takes its name from watercolour paper, and you can feel why the moment it is in hand. Both sides carry a soft felt marking pressed in on the paper machine, giving a gentle, irregular grain that catches the light like a painter's sheet. It comes in a clean Bianco and a warm Avorio, from light writing weights up to a 390 gsm board. That texture loves letterpress and blind deboss, and gives foil a quietly handmade edge on invitations, letterheads and gift packaging.

    ECF pulp, FSC Mix (C015523); weights over 240 gsm multi-ply laminated in formation

    Where it shines

    • luxury stationery and letterheads
    • invitations
    • packaging and shopping bags
    • brochures and booklets
    • special publications

    How we print it

    • letterpress
    • offset (oxidative inks)
    • hot foil
    • blind emboss
    • screen
    • HP Indigo certified

    Worth knowing

    • felt marking needs adjusted print pressure; fine type and large solids can break up in the texture
    • offset varnish is absorbed, adds little gloss; screen varnish (often 2 hits) works better
    • plastic lamination can show micro-defects on the felt surface

    Feel it first

    A screen cannot tell you how a sheet feels. Compare the weight, surface and colour in hand.

    Common questions

    What is Acquerello best suited to?
    luxury stationery and letterheads, invitations, packaging and shopping bags, brochures and booklets, special publications
    How do you print on Acquerello?
    letterpress, offset (oxidative inks), hot foil, blind emboss, screen, HP Indigo certified
    What should I know before choosing Acquerello?
    felt marking needs adjusted print pressure; fine type and large solids can break up in the texture offset varnish is absorbed, adds little gloss; screen varnish (often 2 hits) works better plastic lamination can show micro-defects on the felt surface