How do you handle one capability per piece?

A single piece with six finishes on it proves nothing about any of them. Each build isolates one thing: the triplex card is about the red core, the blind-letterpress card is about impression with no ink, the raised gloss card is about raised gloss, the pearlescent card is about a shimmer under flat black.

How do you handle include the difficult ones?

The easy wins, gold foil on black cotton, are what everyone photographs. Also built the awkward ones: white ink on kraft, flat spot UV that only appears at a raking angle, blind emboss with no ink at all, pigment foil that has no metallic glint. If a finish is subtle, the photograph has to prove it is there.

How do you handle same light for all sixty-eight?

Different lighting per piece makes a portfolio, not a reference. One scene, one light: black basalt plinth, single hard key raking from upper left, rim on the right edge to show stock thickness. Every difference you see between these pieces is the material, not the photograph.

Design exercise · Business cards · Peppermint

Chacun de nos procédés, une fois

L'exercice fondateur. Une pièce par savoir-faire, entre cartes de visite, invitations, enveloppes, papier à en-tête, cartes de correspondance, autocollants et boîtes, afin que chaque matière et chaque finition du catalogue soit illustrée par une photographie.

Business-cards for Print Peppermint design exercise with 8 colours including holographic and pigment foil stamping, 68 pieces across 8 product families, exotic stocks: cotton, kraft, suede, pearlescent, cork, wood, metal, acrylic, plastic and pantone spot, fluorescent pantone, blind letterpress, raised gloss, triplex.

DoruresYellow Gold · 101, Deep Copper · 115-2, Silver · 120, Rose Gold · 117-3, Rainbow Iridescent · R1, Black · 162-9 TechniquesDeboss, Die Cut, Duplex, Gilded Edge, Painted Edge, Emboss, Hot Foil, Black Foil, Copper Foil, Gold Foil, Holographic Foil, Rose Gold Foil, Silver Foil, Letterpress, Raised Spot UV, Spot UV, Triplex PapiersHyacinth Cotton · 32pt, Kraft natural 18pt, Suede laminate, Constellation Jade Satin, Solid walnut, Satin stainless, Clear acrylic, White PVC card stock

L'idée

Avant toute expression, il nous fallait une photo par savoir-faire. Pas un mood board, une référence : voici la dorure cuivre sur coton noir sous une seule lumière dure, voici un cœur triplex rouge en 48pt.

Three rules

01One capability per piece. Each build isolates one thing: the triplex card is about the red core, the blind-letterpress card is about impression with no ink, the rais…
02Include the difficult ones. Also built the awkward ones: white ink on kraft, flat spot UV that only appears at a raking angle, blind emboss with no ink at all, pigment…
03Same light for all sixty-eight. One scene, one light: black basalt plinth, single hard key raking from upper left, rim on the right edge to show stock thickness. Every dif…

Pourquoi la version sobre compte

Soixante-huit pièces, une finition chacune, toutes éclairées de la même façon pour pouvoir les comparer. C'est la série la moins spectaculaire ici, et celle que nous consultons le plus.