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    Artwork for a specific piece

    Stationery Suite Artwork

    Card, letterhead and envelope laid out as one system so the mark sits the same on all three.

    What you get

    • Artwork for card, letterhead and envelope
    • Consistent mark placement across pieces
    • Finishes separated per piece
    • Print-ready PDFs plus working files
    • Spec sheet

    How it runs

    1. Step 1

      Send what you have

      Your mark, your copy, and the piece it is going on.

    2. Step 2

      Layout

      We lay it to the trim, the die and the finish, and flag anything that will not hold.

    3. Step 3

      Engineer

      Separations, bleed, safety and tolerances set to our press floors.

    4. Step 4

      Hand over

      Print-ready files and a spec sheet naming every tolerance.

    What changes the price

    These are the variables that move the number. There is no calculator — we read the file and quote it.

    • How many pieces beyond the core three
    • Whether each piece carries a different finish
    • Envelope construction and whether printing crosses a seam
    • Whether the mark needs a redraw first
    • How many personalised variants

    The press standards that apply

    Hairlines under 0.5 pt

    A foil line finer than 0.5 pt either fills in or flakes off the sheet. We redraw thin strokes up to the floor rather than let them disappear.

    Counters under 1.5 mm

    The hole in an 'a' or an 'e' closes under pressure. Below 1.5 mm at final size it prints as a solid blob, so we open the counter or change the size.

    Colours that touch

    Two inks butted edge to edge show white at the join when registration moves. We pull them apart by 0.3 mm or trap them deliberately.

    Gradients on foil or metal

    Foil is one flat tone — it cannot fade. A gradient is redrawn as flat facets, or the foil is dropped and the fade printed in ink.

    Islands in a laser cut

    Any cut that fully encircles an area drops the middle out. We bridge it at 0.6 mm so the counter stays attached, or we do not cut it.

    Inverted mono versions

    A mark reversed out of a solid is not the same drawing — strokes gain weight and counters close. The mono version is drawn, not inverted.

    More on the processes themselves: foil and metallics, emboss and letterpress and die-cut shapes.

    Questions

    Can you print inside an envelope seam?

    No printing crosses a converted seam — the ink breaks at the fold. We either print the envelope flat before conversion, or hold the artwork clear of the seam by 5 mm.

    What weight is letterhead?

    Letterhead runs on 100 to 120 gsm uncoated so it feeds through a laser printer. Anything heavier jams; anything with foil should not go through an office printer at all.

    Also in this family

    All design services