How do you handle keep the move, change the ground?

Copy the palette and stock and you have made a derivative. The ref was gold edges with a gold script on white. Here silver gilding on charcoal cotton.

How do you handle one finish does the talking?

Two finishes on a notecard compete; the eye has nowhere to land. One primary finish carries the piece; type and stock stay quiet around it.

Design exercise · Notecards · Print Peppermint

Gilded edge box

The ref was gold edges with a gold script on white. Here silver gilding on charcoal cotton.

Notecards for Print Peppermint design exercise with boxed set of 25 flat notecards a2, 40pt charcoal cotton, all four edges gilded mirror silver, stacked in an open charcoal rigid box so gilded block of edges faces camera; top card carries silver ring monogram "k" and fine silver script name foil stamping.

FoilsCHENHUI Standard Metallic (M series) Bright Silver TechniquesGilded Edge, Hot Foil, Silver Foil StocksColorplan Dark Grey

Two rules

01Keep the move, change the ground. The ref was gold edges with a gold script on white. Here silver gilding on charcoal cotton.
02One finish does the talking. One primary finish carries the piece; type and stock stay quiet around it.

Gilded edge box, silver on charcoal — macro, by Print Peppermint — The mirror-silver gilded edge block, 25 cards thick, with the ring monogram soft above.

Start from these materials

Same paper, foil and finish, locked in — nothing of this piece artwork comes with it.

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Designed by Austin Terrill, founder.

Gilded edge box

Two rules

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