Curated CMYK pinks
Magenta-led, with the tint steps set where a screen still holds. The palest pinks are where arbitrary builds vanish on an uncoated sheet.
Every swatch here is an on-screen APPROXIMATION of a four-colour build. Screens emit light and paper reflects it — no monitor can show you what ink on your stock will do. Ask for a proof.
11 tonal runs · 77 builds
Dark → light, left to rightPPC-070
PPC-105
PPC-032
PPC-034
PPC-069
PPC-104
PPC-031
PPC-071
PPC-106
PPC-033
PPC-068
Every value
PPC-031
15/100/0/5
Base build
PPC-031.1
15/100/0/80
Base + 75K
PPC-031.2
15/100/0/55
Base + 50K
PPC-031.3
15/100/0/30
Base + 25K
PPC-031.4
11/75/0/4
75% ink
PPC-031.5
8/50/0/3
50% ink
PPC-031.6
4/25/0/1
25% ink
PPC-032
0/100/0/5
Base build
PPC-032.1
0/100/0/80
Base + 75K
PPC-032.2
0/100/0/55
Base + 50K
PPC-032.3
0/100/0/30
Base + 25K
PPC-032.4
0/75/0/4
75% ink
PPC-032.5
0/50/0/3
50% ink
PPC-032.6
0/25/0/1
25% ink
PPC-033
0/100/15/5
Base build
PPC-033.1
0/100/15/80
Base + 75K
PPC-033.2
0/100/15/55
Base + 50K
PPC-033.3
0/100/15/30
Base + 25K
PPC-033.4
0/75/11/4
75% ink
PPC-033.5
0/50/8/3
50% ink
PPC-033.6
0/25/4/1
25% ink
PPC-034
0/100/35/5
Base build
PPC-034.1
0/100/35/80
Base + 75K
PPC-034.2
0/100/35/55
Base + 50K
PPC-034.3
0/100/35/30
Base + 25K
PPC-034.4
0/75/26/4
75% ink
PPC-034.5
0/50/18/3
50% ink
PPC-034.6
0/25/9/1
25% ink
PPC-068
0/80/0/25
Base build
PPC-068.1
0/80/0/100
Base + 75K
PPC-068.2
0/80/0/75
Base + 50K
PPC-068.3
0/80/0/50
Base + 25K
PPC-068.4
0/60/0/19
75% ink
PPC-068.5
0/40/0/13
50% ink
PPC-068.6
0/20/0/6
25% ink
PPC-069
0/80/15/25
Base build
PPC-069.1
0/80/15/100
Base + 75K
PPC-069.2
0/80/15/75
Base + 50K
PPC-069.3
0/80/15/50
Base + 25K
PPC-069.4
0/60/11/19
75% ink
PPC-069.5
0/40/8/13
50% ink
PPC-069.6
0/20/4/6
25% ink
PPC-070
0/80/25/25
Base build
PPC-070.1
0/80/25/100
Base + 75K
PPC-070.2
0/80/25/75
Base + 50K
PPC-070.3
0/80/25/50
Base + 25K
PPC-070.4
0/60/19/19
75% ink
PPC-070.5
0/40/13/13
50% ink
PPC-070.6
0/20/6/6
25% ink
PPC-071
0/80/40/25
Base build
PPC-071.1
0/80/40/100
Base + 75K
PPC-071.2
0/80/40/75
Base + 50K
PPC-071.3
0/80/40/50
Base + 25K
PPC-071.4
0/60/30/19
75% ink
PPC-071.5
0/40/20/13
50% ink
PPC-071.6
0/20/10/6
25% ink
PPC-104
0/55/0/40
Base build
PPC-104.1
0/55/0/100
Base + 75K
PPC-104.2
0/55/0/90
Base + 50K
PPC-104.3
0/55/0/65
Base + 25K
PPC-104.4
0/41/0/30
75% ink
PPC-104.5
0/28/0/20
50% ink
PPC-104.6
0/14/0/10
25% ink
PPC-105
0/55/10/40
Base build
PPC-105.1
0/55/10/100
Base + 75K
PPC-105.2
0/55/10/90
Base + 50K
PPC-105.3
0/55/10/65
Base + 25K
PPC-105.4
0/41/8/30
75% ink
PPC-105.5
0/28/5/20
50% ink
PPC-105.6
0/14/3/10
25% ink
PPC-106
0/55/20/40
Base build
PPC-106.1
0/55/20/100
Base + 75K
PPC-106.2
0/55/20/90
Base + 50K
PPC-106.3
0/55/20/65
Base + 25K
PPC-106.4
0/41/15/30
75% ink
PPC-106.5
0/28/10/20
50% ink
PPC-106.6
0/14/5/10
25% ink
What to know before you specify one
- The same build is not the same colour on two stocks. Coated seals the surface, so the ink sits on top: denser, brighter, sharper. Uncoated absorbs it and the dots gain, so the identical numbers come back darker, duller and lower in contrast. Judge process colour on a proof printed on YOUR stock.
- Below about 8% a screen stops being reliable — on uncoated it fills in, on coated it can vanish. The tint steps here sit above that floor deliberately, so the light end of a family still prints as a colour rather than as a rumour.
- Process is right for photographic work, for anything with many colours in it, and for jobs where the colour needs to be close rather than exact. A spot ink is right when the colour IS the brand and has to be identical on every run, and when the colour sits outside what four inks can reach at all. Process costs nothing extra on a full-colour job; a spot is an extra unit on press.
Builds with a full write-up
Pairs beautifully with
Three combinations that hold up on press. Open one and the Studio starts with the stock, the foil and the ink already locked in.

PPC-070 on Gmund Bio Cycle Cannabis Hanf
PPC-070 on Gmund Bio Cycle Cannabis Hanf is uncoated, so the dots gain: the same 0/80/25/25 build prints a step darker and duller than it looks on screen. That softness is usually the reason to choose this sheet.
Compatibility matrix
Start this combination
PPC-070 on Gmund Colors Matt 01 · Harbour Mist
PPC-070 on Gmund Colors Matt 01 · Harbour Mist is uncoated, so the dots gain: the same 0/80/25/25 build prints a step darker and duller than it looks on screen. That softness is usually the reason to choose this sheet. The pale blue-grey ground shows through a translucent build — the printed colour shifts toward the sheet, so sign off against a printed sample.
Compatibility matrix
Start this combination
PPC-070 on Gmund Heidi Dull Black 530gsm
PPC-070 on Gmund Heidi Dull Black 530gsm is uncoated, so the dots gain: the same 0/80/25/25 build prints a step darker and duller than it looks on screen. That softness is usually the reason to choose this sheet. The dull matte black, dyed through ground shows through a translucent build — the printed colour shifts toward the sheet, so sign off against a printed sample.
Compatibility matrix
Start this combinationCommon questions
- Do these pinks shift on uncoated stock?
- Yes, every one of them. Uncoated fibres absorb the ink and the dots gain, so the identical build comes back darker, duller and lower in contrast than the coated version. It is not a fault — it is what that sheet does to process ink. Judge it on a proof printed on your stock.
- Can you match a brand colour with one of these pinks?
- Often, yes — and where a build stops short of the brand colour we say so and quote the spot alternative instead of quietly printing something near it.
- How are the tonal steps built?
- Each run starts from one tested base. The shades add 25%, 50% and 75% black to it; the tints drop the ink to 75%, 50% and 25%. That gives you seven values that belong together, so hierarchy inside one hue never needs a second colour.
- Are these an official colour standard?
- These are our own tested recommendations, developed on our presses and our stocks. They are not a published colour standard and are not affiliated with any colour system.