Curated CMYK purples
The hardest family in process. A true violet is outside the four-colour gamut; these are the honest best, and the page names the spot alternative.
Every swatch here is an on-screen APPROXIMATION of a four-colour build. Screens emit light and paper reflects it — no monitor can show you what ink on your stock will do. Ask for a proof.
11 tonal runs · 77 builds
Dark → light, left to rightPPC-067
PPC-102
PPC-029
PPC-064
PPC-066
PPC-101
PPC-028
PPC-103
PPC-030
PPC-065
PPC-100
Every value
PPC-028
65/100/0/5
Base build
PPC-028.1
65/100/0/80
Base + 75K
PPC-028.2
65/100/0/55
Base + 50K
PPC-028.3
65/100/0/30
Base + 25K
PPC-028.4
49/75/0/4
75% ink
PPC-028.5
33/50/0/3
50% ink
PPC-028.6
16/25/0/1
25% ink
PPC-029
50/100/0/5
Base build
PPC-029.1
50/100/0/80
Base + 75K
PPC-029.2
50/100/0/55
Base + 50K
PPC-029.3
50/100/0/30
Base + 25K
PPC-029.4
38/75/0/4
75% ink
PPC-029.5
25/50/0/3
50% ink
PPC-029.6
13/25/0/1
25% ink
PPC-030
35/100/0/5
Base build
PPC-030.1
35/100/0/80
Base + 75K
PPC-030.2
35/100/0/55
Base + 50K
PPC-030.3
35/100/0/30
Base + 25K
PPC-030.4
26/75/0/4
75% ink
PPC-030.5
18/50/0/3
50% ink
PPC-030.6
9/25/0/1
25% ink
PPC-064
50/80/0/25
Base build
PPC-064.1
50/80/0/100
Base + 75K
PPC-064.2
50/80/0/75
Base + 50K
PPC-064.3
50/80/0/50
Base + 25K
PPC-064.4
38/60/0/19
75% ink
PPC-064.5
25/40/0/13
50% ink
PPC-064.6
13/20/0/6
25% ink
PPC-065
40/80/0/25
Base build
PPC-065.1
40/80/0/100
Base + 75K
PPC-065.2
40/80/0/75
Base + 50K
PPC-065.3
40/80/0/50
Base + 25K
PPC-065.4
30/60/0/19
75% ink
PPC-065.5
20/40/0/13
50% ink
PPC-065.6
10/20/0/6
25% ink
PPC-066
25/80/0/25
Base build
PPC-066.1
25/80/0/100
Base + 75K
PPC-066.2
25/80/0/75
Base + 50K
PPC-066.3
25/80/0/50
Base + 25K
PPC-066.4
19/60/0/19
75% ink
PPC-066.5
13/40/0/13
50% ink
PPC-066.6
6/20/0/6
25% ink
PPC-067
15/80/0/25
Base build
PPC-067.1
15/80/0/100
Base + 75K
PPC-067.2
15/80/0/75
Base + 50K
PPC-067.3
15/80/0/50
Base + 25K
PPC-067.4
11/60/0/19
75% ink
PPC-067.5
8/40/0/13
50% ink
PPC-067.6
4/20/0/6
25% ink
PPC-100
35/55/0/40
Base build
PPC-100.1
35/55/0/100
Base + 75K
PPC-100.2
35/55/0/90
Base + 50K
PPC-100.3
35/55/0/65
Base + 25K
PPC-100.4
26/41/0/30
75% ink
PPC-100.5
18/28/0/20
50% ink
PPC-100.6
9/14/0/10
25% ink
PPC-101
30/55/0/40
Base build
PPC-101.1
30/55/0/100
Base + 75K
PPC-101.2
30/55/0/90
Base + 50K
PPC-101.3
30/55/0/65
Base + 25K
PPC-101.4
23/41/0/30
75% ink
PPC-101.5
15/28/0/20
50% ink
PPC-101.6
8/14/0/10
25% ink
PPC-102
20/55/0/40
Base build
PPC-102.1
20/55/0/100
Base + 75K
PPC-102.2
20/55/0/90
Base + 50K
PPC-102.3
20/55/0/65
Base + 25K
PPC-102.4
15/41/0/30
75% ink
PPC-102.5
10/28/0/20
50% ink
PPC-102.6
5/14/0/10
25% ink
PPC-103
10/55/0/40
Base build
PPC-103.1
10/55/0/100
Base + 75K
PPC-103.2
10/55/0/90
Base + 50K
PPC-103.3
10/55/0/65
Base + 25K
PPC-103.4
8/41/0/30
75% ink
PPC-103.5
5/28/0/20
50% ink
PPC-103.6
3/14/0/10
25% ink
What to know before you specify one
- The same build is not the same colour on two stocks. Coated seals the surface, so the ink sits on top: denser, brighter, sharper. Uncoated absorbs it and the dots gain, so the identical numbers come back darker, duller and lower in contrast. Judge process colour on a proof printed on YOUR stock.
- Below about 8% a screen stops being reliable — on uncoated it fills in, on coated it can vanish. The tint steps here sit above that floor deliberately, so the light end of a family still prints as a colour rather than as a rumour.
- Process is right for photographic work, for anything with many colours in it, and for jobs where the colour needs to be close rather than exact. A spot ink is right when the colour IS the brand and has to be identical on every run, and when the colour sits outside what four inks can reach at all. Process costs nothing extra on a full-colour job; a spot is an extra unit on press.
Pairs beautifully with
Three combinations that hold up on press. Open one and the Studio starts with the stock, the foil and the ink already locked in.
PPC-067 on Constellation Jade E27 Spring emboss
PPC-067 on Constellation Jade E27 Spring emboss is uncoated, so the dots gain: the same 15/80/0/25 build prints a step darker and duller than it looks on screen. That softness is usually the reason to choose this sheet.
Compatibility matrix
Start this combinationPPC-067 on Triplex white/black/white
PPC-067 on Triplex white/black/white is uncoated, so the dots gain: the same 15/80/0/25 build prints a step darker and duller than it looks on screen. That softness is usually the reason to choose this sheet. The cream with black core ground shows through a translucent build — the printed colour shifts toward the sheet, so sign off against a printed sample.
Compatibility matrix
Start this combination
PPC-067 on Gmund Action Alpine Sparkling Water
PPC-067 on Gmund Action Alpine Sparkling Water is uncoated, so the dots gain: the same 15/80/0/25 build prints a step darker and duller than it looks on screen. That softness is usually the reason to choose this sheet.
Compatibility matrix
Start this combinationCommon questions
- Do these purples shift on uncoated stock?
- Yes, every one of them. Uncoated fibres absorb the ink and the dots gain, so the identical build comes back darker, duller and lower in contrast than the coated version. It is not a fault — it is what that sheet does to process ink. Judge it on a proof printed on your stock.
- Can you match a brand colour with one of these purples?
- Sometimes close, rarely exact. This family sits against the edge of what four inks can reach, so if the colour IS the brand the honest answer is a spot ink. We will tell you which case you are in before it goes to plate.
- How are the tonal steps built?
- Each run starts from one tested base. The shades add 25%, 50% and 75% black to it; the tints drop the ink to 75%, 50% and 25%. That gives you seven values that belong together, so hierarchy inside one hue never needs a second colour.
- Are these an official colour standard?
- These are our own tested recommendations, developed on our presses and our stocks. They are not a published colour standard and are not affiliated with any colour system.